End Of An Introduction As An Excerpt In The Upcoming Book:
A MOVIE IN THE FRAMING OF REALITY: BLACK PANTHER IN AN APOCALYPTIC POWER-PLAY
By Hardi Shahadu
In that case, the west’s next plan will be to trick this natural law by planning and waiting to steal the power back from the non-white world, as soon as the tables turn. This trick has been played successfully in the past through what is called neocolonialism, through which the western world used western agents (CIA, military, division, diplomacy, aid, etc.) but most importantly, non-western agents (western trained puppets), to take back the governance and power of the non-white world that had just been freed from the west.This skillful takeover, on some cases, happened immediately before the independent leaders even settled on the throne or seat of government. But in nearly all cases, it started before independence and succeeded within a decade.
Black Panther is therefore, framing the possibility where South Africa, as the living example of Wakanda can be replicated at the world stage, where T’Challa, the future version of Mandela, through the assistance of the white man and his forces (CIA), recaptures the power that ought to rule the world. And in the name of forgiveness (simply put, “revenge is not our way”), seeks no revenge and therefore does not temper with the order of things of the world. Even beyond that, he makes the magical technology, which makes the Black man powerful,assessible to everybody starting in the heart of the White world. Mandela took South Africa (after signing behind the scenes deals with the white world to be released from prison), and in the name of forgiveness, he allowed the white man to maintain the two key pillars of the South African society; the prime lands and the economy. The post-independence south African white man, therefore, did not lose anything beyond being the face of the country’s government.
The analysis as it unfolds in the coming pages, will provide supporting facts and evidence to the theories introduced in this section of the work. And the movie itself, from the minds of those who sponsored the script and put into the mouths of the actors, especially the protagonist and the antagonist, will provide the bulk of the primary material for the analysis.
End Of The Introduction As An Excerpt
About The Author Of The Upcoming Book Titled:
A MOVIE IN THE FRAMING OF REALITY: BLACK PANTHER IN AN APOCALYPTIC POWER-PLAY
Hardi Shahadu is a Ghanaian national with an uncompromising courage and determination to follow the Pan-African path laid down by Marcus Garvey, Kwame Nkrumah, Malcom X and Cheikh Anta Diop among others. He holds a Bachelor of Arts Degree in Political Science and Religion from the University of Ghana and Master of Science in Media, Communication and Development from the London School of Economic and Political Science (LSE).
